William Shakespeare’s Othello: A rasa Reading

William Shakespeare’s Othello: A rasa Reading

Authors

  • Dr. Kamal Mehta

Abstract

William Shakespeare occupies a unique place in India. Indians have been fond of his works for decades like others all over the globe. His comedies appealed and won our hearts immediately. His tragedies also, though they seemed complex and difficult to make aesthetic appeal initially, became very popular later. Othello along with Hamlet, Macbeth and King Lear is one of the greatest Shakespearean tragedies. No doubt, most of his tragic heroes do not fit well with the idea of a hero in Indian drama, both classical and popular; as a result they posed complexity for us. Othello was one such complex protagonist in the initial stage of its reception in India.

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References

Aurobindo, Sri. 1929. “Kalidasa”, Sri Aurobindo Birth centenary Library, 1972, Vol.III. pp. 302-06)

Bharata Muni. 1951. Natyasastra , Tr. Manomohan Ghosh. Calcuta: Asiatic Society of Bengal. pp. 114-5

Chatterjee, Bankim Chandra. 1964. “Sakuntala, Miranda ebam Desdemona”(1872), Bankim Rachanabali, Vol. II. Calcutta: Sahitya Samsad.

Complete Works of Shakespeare.1980. New Delhi: Oxford & IBH Publishing Co Pvt Ltd.

Sengupta, S C. 1977. Aspects of Shakespearean Tragedy, Calcutta; OUP. P.158.

Seturaman V S. 1992. Indian Aesthetics: An Introduction. Madras: Macmillan India Ltd.

Additional Files

Published

10-12-2023

How to Cite

Dr. Kamal Mehta. (2023). William Shakespeare’s Othello: A rasa Reading. Vidhyayana - An International Multidisciplinary Peer-Reviewed E-Journal - ISSN 2454-8596, 9(3). Retrieved from https://j.vidhyayanaejournal.org/index.php/journal/article/view/2062

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