A Study of "The Gothic Elements in Romantic Literature" With A Focus on Mary Shelley and Edgar Allan Poe's Works
Abstract
This research paper begins a thorough investigation of Gothic aspects found in Romantic literature, with a focus on Mary Shelley and Edgar Allan Poe's contributions. Gothic literature has always captivated readers and academics alike due to its creepy settings, paranormal components, and themes of dread and the unknown. In the broader context of Romanticism, this paper explores how Edgar Allan Poe's and Mary Shelley's "Frankenstein" both embody and surpass the Gothic tradition.
The research entails a thorough examination of crucial Gothic components found in the chosen works, including the sublime, the grotesque, the uncanny, and the macabre. This essay reveals the subtle ways in which Shelley and Poe use Gothic conventions to address important societal issues of their respective eras, such as scientific ethics, mortality, and psychological horror. It does this through rigorous textual examination and comparative analysis.
Furthermore, this study emphasised how these authors' contributions to Gothic Romanticism have impacted succeeding generations of authors as well as the broader field of speculative fiction. This research not only deepens our comprehension of literary history but also illustrates the Gothic's on-going fascination within the larger literary fabric as we travel through the mysterious and ominous corridors of Gothic Romanticism.
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References
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