Use of Fantasy in J.M. Coetzee’s The Heart of the Country: A Critical Study

Authors

  • Dr. Arjunsinh K. Parmar

Keywords:

Fantasy, Genre, Reality, Fiction

Abstract

Fantasy as an independent genre is a recent invention. It was considered an inferior part of science fiction literature for a long time. Fantasy can be traced back to ancient myths, legends, folklore, carnival art as a perennial literary mode. Thus, it can be said that fantasy was a part of other genre in the earlier time and later on it became an independent genre. The tradition of epic fantasy came with chivalric novel. The true beginnings of the fantasy genre can be traced to the nineteenth century, according to Carter, where it appeared as a reaction to the industrialization of society. The present paper is an analysis of Coetzee‟s novel, The Heart of the Country to observe how he has used fantasy in his novels.

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References

Coetzee, J.M. In the Heart of the Country. Harmondsworth, Penguin, 1982.

Chiari Joseph. Realism and Imagination. Gordian Press, New York.1970.

Coyle William. Aspects of Fantasy. Greenwood Press, London. 1986.

Glenn, Ian. 'Game Hunting in In the Heart of the Country', in Huggan, Graham and Watson, Stephen (eds.), Critical Perspectives on J.M. Coetzee, Palgrave Macmillan, London.1996.

Head Dominic. The Cambridge Introduction to J.M. Coetzee. Cambridge University Press. 2009.

Manlove C.N. The Impulse of Fantasy Literature. Macmillan Press Ltd. London. 1983.

Schlobin Roger E. The Aesthetics of Fantasy Literature and Art. The Harvester Press, Great Britain. 1982.

Additional Files

Published

10-08-2018

How to Cite

Dr. Arjunsinh K. Parmar. (2018). Use of Fantasy in J.M. Coetzee’s The Heart of the Country: A Critical Study. Vidhyayana - An International Multidisciplinary Peer-Reviewed E-Journal - ISSN 2454-8596, 4(1). Retrieved from http://j.vidhyayanaejournal.org/index.php/journal/article/view/295

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