A Critical Study of the Play Othello

Authors

  • Mansi Devmurari

Abstract

Othello is the only one of Shakespeare's four great tragedies to the based on a story dealing with the contemporary world. Othello is a cosmetic tragedy. Shakespeare did not divide the human nature into the masculine and the feminine; but the aspersed in woman and man a unifying force of the two opposing gender impulses. To talk about his Shakespeare's women is to talk about his men, because he refused to separate their worlds physically, intellectually or spiritually. The Shakespearean conception of tragedy was that the closer the relationship between persons of the opposite sexes, with the interchange of essential characteristics of predominance of reason in man and emotion in woman the result would be surely the occurring of tragedy in their lives.

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References

The Source Text: Othello by William Shakespeare

Dies, Walter; Shakespeare: His Tragic world and his psychological Explorations. S. Chand & Co. Pvt. Ltd. New Delhi 1962

K. J. Spalding; The Philosophy of Shakespeare, Oxford Press, 1953

Smith Emma: Shakespeare's Tragedies. Blackwell Publishing, New Delhi-1970

Additional Files

Published

10-04-2017

How to Cite

Mansi Devmurari. (2017). A Critical Study of the Play Othello. Vidhyayana - An International Multidisciplinary Peer-Reviewed E-Journal - ISSN 2454-8596, 2(5). Retrieved from https://j.vidhyayanaejournal.org/index.php/journal/article/view/219